Saturday, May 13, 2017

Madness # 11


As the journey of English 575 nears an end, several thoughts come to mind.  I am happy to have had an opportunity to get out of my comfort zone in regards to expanding my knowledge of varying versions of fairy tales.  As far as addressing the assigned fairy tale readings, I was reminded how my dad would patiently read a large stack of books to my sister and me every night, bringing back extremely fond memories.  I am happy to have had an opportunity to read and analyze various versions of the multiple tales.


Last Assignment:
A major concern of mine since the beginning of the class has been to consider the age appropriateness of some of the versions of fairy tales, particularly in the area of familiar classic tales such as Little Red Riding Hood.  Early in the class, after reading just a few of the unfamiliar versions of LRRHI, I, personally, have gone from being stunned and uncertain if I actually wanted to read more, to looking for additional tales to examine on my own.  The same question throughout the quarter continued in my mind as to whether children should read some of the varied versions of a particular tale, primarily because of my limited background and thought that fairy tales were “just for children,” proving once again that one is never too old to learn or to try something new. 

As far as a tale of a work such as Hansel and Gretel, I now understand that no matter what version of a tale an individual chooses to read, he or she should be prepared to not only examine that one carefully, but to be prepared to look for many other versions of the same story.  I am now thoroughly convinced that fairy tales endure, not only because of the adventure and entertainment they provide, but because of the ability for fairy tales to expand and intrigue the imagination.  Far beyond the basic story, lies an ability for the tale itself to promote lasting values and a thought process that has a power and an ability to help even children deal with internal conflicts which they might have to encounter at certain points in their lives.  How else could one be able to explain the appeal and countless rereading of Hansel and Gretel in which innocent children are sent into the woods to die of starvation?  Who really knows just how many children (reading an adventure like this one) have been shown how to deal with a struggle that may be a part of their daily life?

Because children often ask questions after reading a fairy tale, they are truly afforded an opportunity to survive a kind of psychological mission, one that might surface when inner struggles arise between positive and negative forces.  The young reader is allowed to not only become sensitive to others, but an opportunity to ultimately become better adults, convincing me that there must be a place for the continued reading of not only Hansel and Gretel, but many other tales as well.

Term Paper:

Debbie Guidry
Dr. Rufleth
English 575
13 May 2017
To Read or Not to Read

            Many memories of early childhood readings go immediately to stories with happy endings, including many familiar well-known fairy tales.  While wanting children to read, “And they all lived happily ever after,” in real life misfortunes occur, making perfect endings not possible.  More often than not, reality and fairy tales may be miles and even decades apart.  Fairy tales have been around for hundreds of years, with parents telling or reading the tales at bedtime.  These same stories were being read in school and viewed in the movie theaters or watched from a DVD.  While adults should be mature enough to know that what they read and view might be nowhere close to what happens in real life, young children may not be able to readily succeed at this endeavor.  The role of fairy tales in schools has long been a discussion topic in schools, with some of the exchange of views even dating back to around 1800.  The debate seems to be reemerging as some parents are preparing to shelter their children from violence and fears in real life, with some parents even relocating their families to live in different neighborhoods.  This same mentality appears to be emerging even in literature with parents choosing for their children to read watered-down, softer versions of original fairy tales.  Fairy tales are under the microscope, and clearly the time may have come to truly examine the impact and contents of fairy tales.
            While typical tales do, according to Joseph Campbell, an author who wrote The Hero With a Thousand Faces, talk about “universal human truth” (Campbell), characters in assorted tales are usually different in some way, even though their plots are often quite similar in nature.  In theory, fairy tales stick close to the hero’s journey, especially in Campbell’s work, and he thinks this might be a desirable thing for children to hear and or read (Campbell).  He thinks children should be encouraged to not only dream, but to be allowed to dream BIG, with the hope in later adult life to be able to journey from home and allowed to fulfill all of those dreams.  However, even Campbell admits that a few tales may actually be too far moved from reality, and that they may even scare some children.  If fairy tales can increase the imagination of a child, perhaps a child being given a way to remove himself from reality might also be deemed a good thing.   Perhaps additional education at this point may be necessary so the young reader of fairy tales understands the full picture and lessons that can be gained from the tale.
Stories have been shared through multiple family generations as a way to pass down information that will put emphasis on values, manners of the time and place in which they were initially recorded (Zipes, 1988).  In general, “Fairy tales are universal and ageless, most of the time sharing common features and identical themes, whereas sometimes they differ profoundly from one culture to another (Dieckmann 1971).  Bettelheim mentions that because each fairy tale is like a magical mirror reflecting some aspects of an inner world, the tale is able to present steps necessary to move a reader from immaturity to maturity (Bettelheim).
            As early as 1903, in a manual for parents of school aged children, Dr. Karl Oppel was absolutely against telling fairy tales to children, often protesting against the author’s views (Oppel).  She was so opposed that she included some paragraphs of her own to replace the parts with which she felt not appropriate for children to read or even have read to them, but that being said, fairy tales have clearly been being told for hundreds of years.  Cinderella has about 700 versions while little Red Riding Hood has over fifty-eight popularly read versions.  Through the reading of many of these tales and assorted versions, children are sometimes able to work through struggles that may come up in their own lives.  “A consistent message from fairy tales that confronts children is that a struggle against difficulties is unavoidable, but if one steadfastly meets unexpected hardships and masters obstacles, then, they would be victorious in the end” (Joyce).    
            Even though parents may be encouraged to read fairy tales to their children, they may not fully understand the importance or the amount of information that a child might receive.  According to howweelearn, “Eight concrete reasons exist that will help children become brilliant.
  1.  Fairy tales teach morals and help children discover right from wrong.
  2. Fairy tales give adults a chance to introduce critical thinking skills.
  3. They build vocabulary and introduce children to culturally rich language.
  4. Fairy tales build imagination.
  5. While bad things happen in fairy tales, most provide the ideal that in the end,
    good will win.
  6. Fairy tales introduce big emotions in a safe environment.
  7. Fairy tales provide an entire story structure (plot, setting, characters, inciting
    events, climax, and resolution) in a relatively short story.
  8. Above all else, fairy tales open a world of fantasy, adventure, and magic to our children” (howweelearn).
Many kindergartens across the country, such as Oak Meadow Learning Center,  include the reading of fairy tales and the currently provides prepared curriculums, complete with a resource course book that is sent home to parents as a guide on how fairy tales can be enjoyed by the whole family, especially children.
            If someone examines an original Brothers Grimm fairy tale, he may be a bit surprised or even shocked at a particular tale, as some of the stories show individuals dying, drowning and even killing innocent people.  In the movie, Ever After, that stars Drew Barrymore, in the end the story shows that they did live happily ever after, but more importantly, showing that they did live.  As parents, guidance is essential when reading fairy tales to their young ones, so that the youngsters can understand what is truly important within the tale.
            According to Delaney McKesson, many negative implications emerge from fairy tales.  She insists, “that fairy tales produce low self esteem, unrealistic ideas of love, an outdated sense of reality, an extreme misunderstanding of good vs evil” (McKesson).  Further skepticisms indicate that a woman should not have to be rescued by a prince, nor should looks and beauty be so strongly brought to the forefront. 
            According to Bruno Bettelheim in The Uses of Enchantment, he talks about how fairy tales present life’s problems in order to assist and to guide the appropriate development of children.  As a child grows to maturity, he or she must be given specific guidelines as to how to overcome unfair obstacles.  As Bettelheim concludes, “Fairy tales are either good or bad, nothing in between.  That way, it is easier for children to comprehend the difference between the two” (Bettelheim).  For example, in Finding Nemo, most children who watch the movie should be able to understand that they must listen to their parents in order to avoid danger.
            Recent headlines from major newspapers were yelling for schools to get rid of fairy tales within the curriculum.  Now a trending idea concerning fairy tales seems to be to teach young school aged students how to deconstruct the stories.  Although fairy tales are sacred to many, and have been handed down, some tales still may not have an effect on the reader.  However, when children do hear fairy tales, they are frequently able to put themselves in the place of a character in the work itself.  Is life really so bad if a little girl wishes to grow up and be a princess?
            An individual does not have to have an affiliation with any particular group in order to have an objection to the reading of Grimm fairy tales.  Sometime after World War II, a movement began in the United States to put “wholesomeness” (Acocella ) back into children’s books.  Parents were encouraged to protect the mental health of their children when they were reading tales to their children by pointing out any “poisonous stereotypes” (Acocella) that might exist. 
            Fairy tales, for the most part, have been considered as fairly simple constructions that will teach that inner beauty is equally as important outer beauty, not to eat poison apples, and not to talk with strangers.  Adaptations of fairy tales perhaps are taking a new approach by searching for the real story behind the fairy tale, which can be totally different from the original version of the tale.  The trend goes a step farther when a fairy tale is explored for what is meant if this tale would be in a modern world, creating an interest in teaching fairy tales in today’s schools.
            Because many adults still insist on viewing children as totally innocent and a bit naive, keeping a child a child and free from worry is definitely important.  However, confusion will surely arise if a fairy tale presents itself as innocent, but later, when an unexpected twist occurs, the reader may be reeled in and then, suddenly discover that the expectations of the living happily ever after may no longer exist.  Common wisdom from one generation to another is still important to be shared.  Fairy tales are supposed to be universal and timeless, and able to share happiness, while still appealing to every age bracket.  According to Bruno Bettelheim, reading fairy tales is critical to allow children to project, to offer knowledge of life from the inside, to help dispel fears, and to correspond to that particular child’s thinking and experience,   
            A descriptive qualitative study performed by P. Tsitsani, aims to describe the opinions of parents and children’s preferences regarding storytelling with the overall majority of interviewees of the study acknowledging their strong belief in the power of fairy tales.  “According to this detailed study, most parents used the specific storytelling as an instructive tool, in order to soothe their children’s anxieties or to or set examples for them (Tsitsani).  Of particular interest in the study is that children seemed to pick classic fairy tales, such as Little Red Riding Hood, to read over the modern ones.  The children in the study were mostly fascinated by a favorite character, and really wanted to talk about that one individual.  All of the parents in the study seemed to agree that their children were often amused, and even at times, affected in some way by the particular tale being told.  Even when villains were talked about, most children wanted to punish them and were content that the villains were punished.  From the data, only a few children stated that cruel punishment of a villain frightened them (267).
            Somewhat interesting in this same study was the structured interview guide.  Questions asked in the guide included:
                        “Do you believe in the power of fairy tales?
                        Do you prefer reading or narration?
                        What kind of fairy tales does your child prefer?
                        What do you think is the main purpose of a fairy tale?
                        Does your child seem pleased when reading a fairy tale?
                        What does your child think about villains?
                        What does your child feel when the villain is punished?
                        Do you consider fairy tales instructive?
                        In what ways do fairy tales affect your child?
                        When you were a child, did you listen to fairy tales?” (268).
Further findings in Tsitsani’s study conclude that fairy tales have long been a part of children’s day to day lives.  Even Zipes agrees, as he adds, “For children stories represent one of the most important cultural and social events of their life, functioning as instruments of socialization and acculturation” (Zipes 1988).  Included in the study is Bettelheim’s strong belief that children’s literature stimulates mind and personality development, providing young readers with the mechanisms of coping with their inner problems, life’s stresses, and their anxieties (Bettelheim 1976).  An additional finding compares fairy tales to a compass, noting that a map exists to assist children in finding the road to love, power, and privilege, while at the same time preparing a way for the child to return safely to his or her home.  This is indeed a powerful argument for allowing children to continue to be allowed to read fairy tales (Tsitsani).  The study even presents the idea that the reading of fairy tales could be therapeutic tool when treating children with certain mental health issues.  Overwhelmingly, the majority of parents involved in the study said they might need to spend more times sharing stories with their children, as they saw the benefits and knowledge gained by their children merely listening to tales.  Most all involved in Tsitsani’s qualitative study additionally agreed that when fairy tales were read to or by children, current trends tend to highlight their great significance in children (Tsitsani).  To summarize best the findings from this study-fairy tales are of great importance in the life of a child and most parents agree.        
            Fairy tales remain a staple in many households.  Parents, no doubt, will continue to read bedtime stories and will continue to take their children to the latest Disney remake.  A little girl will still dress up like a princess waiting on her Prince Charming to bring the slipper that will most definitely fit.  Lessons will continue to be learned, and intelligent children will understand that they must obey their parents, and they will also learn that a book cannot be judged by its cover.  However, many of the fairy tales carry some baggage with potential negative effects, often leaving out the many hardships and frustrations that can evolve, for example difficulties in love.  However, as long as the possibility exists for the prince and princess to wed and never argue, the desire to live happily ever after will keep children and adults yearning to read fairy tales.  Perhaps instead of eliminating fairy tales from nighttime reading and school curriculums, the writers of fairy tales may need to write new ones or modify old versions, while the movie makers, including Disney, may need to insure that the right moral lessons are appropriately presented, assuring that the legacy of fairy tales continues for future generations.  Even the master mind, Albert Einstein, believed, “If you want your children to be intelligent, read them fairy tales.  If you want them to be more intelligent, read them more fairy tales.”
Works Cited
Acocella, Joan.  “Once Upon a Time The Lure of a Fairy Tale.  New Yorker.  n. p. 23 July 2012.

Bettelheim, B. The Uses of Enchantment: The Meaning and Importance of Fairy tales.  New
            York.  Knopf. 1976.

Campbell, Joseph. “Influence of Fairy Tales on Children.”  healthguidance.  n. p.  n. d. 10 May
            2017.  

Danish, Elizabeth. Influence of Fairy Tales on Children.” Psychology.  Health Guidance.  10 May
            2017.
Dieckmann, H. “Fairy Tales in Psychotherapy.” The Journal of Analytical Psychology, n. p. 1997.
            42, 253-268.
Dieckmann, H.  “The favourite fairy-tale of childhood.” The Journal of Analytical Psychology.  n.
            p.  1971.  16, 18-30.
“Fairy Tales Have a Negative Impact on the Development of Children.” Bartleby.  n. p. 10
            May 2017.
“Fairy-tales Should be Banned.” Independent.com. n.p. 10 October 2011.  10 May 2017.
“Folk and Fairy Tales.” Utah Education Network 28 Nov. 2005.
Geist, Eugene, Jerry Aldridge.  “The Developmental Progression of Children’s Oral Story
            Inventions.” Journal of Instructional Psychology. Mar. 2002.
Heyman, Kathryn. “Fairytales are not just harmless, innocent fun.  They need to be interrogated.
            The Guardian.  7 Apr. 2017.  10 may 2017.
Joyce, Parent Support Coach. “Why Are Fairy Tales Important for Children.” N. p. 13 August
            2014.
Loder, Vanessa.  “Why Fairy Tales Are Bad For Our Kids.” Huffingtonpost.  n. p. 10 May 2017.
McKesson. Delaney. ‘’The Negative Effects of Fairy Tales on Children.” 10 Dec. 2014.  Prezi file. 
Oppel, Karl. The Parent’s Book: Practical Guidance for Education at Home.  Banned Books
            Banned Books Week. n. d. 10 May 2017.
“Should Children be Told Fairy Tales? A 1903 Debate.”  Nijmegen University Netherlands. 23
            Sept. 1998. 10 May 2017. 
Tsitsani, P. “Fairy tales: a compass for children’s healthy development-a qualitative study in a
            Greek island.”  Child: care, health and development.  Blackwell, vol. 38, no. 2.  Mar. 2012.
            266-272.
“Why Read Fairy Tales?” howweelearn.  n. p. 1 Feb. 2016.
Young, Jonathan.  “Once Upon a Time.  How Fairy Tales Shape Our Lives.” Journal Magazine. 
            n.p. Fall 1997. 10 May 2017.
Zipes, J. D. Fairy Tales and the Art of Subversion: The Classical Genre for Children and the
Process Of Civilization. 1st ed.  New York, n. p. 1988.
Zipes, J. D. Happily Ever After: Fairy Tales, children, and the Culture Industry.  1st ed.  New York.
            1997. 
 




 

Saturday, May 6, 2017

Madness # 10


        
Madness # 10

Finding a modern day fairy tale to review took a while.  Having raised only sons and grandsons, the DVD library of fairy tales equals zero.  Now if a sports movie is needed, the library is jammed full.  Finally, after days (late nights) Princess; A Modern Fairy Tale was selected as the one to be reviewed.

 
                                  

                                           

    
                                          Doubt Abounds Around A Modern Fairy Tale


               
Princess: A Modern Fairytale, a made-for-TV-ABC movie aired on April 20, 2008, with a DVD release date on February 3, 2009, can be considered as a modern fairy tale romance as a castle exists along with a princess, prince, mythical creatures, and even a monster to provide a setting ready for the imaginations of young and old alike.  This fairy tale includes a romance between William, who is lost in life, and a beautiful princess, Ithaca who is clearly looking for “someone.” Although a chance meeting at the castle of the princess starts the two of them on a journey of intrigue and romance, when their much different worlds collide, they vow to help each other find their true calling.  The tale includes a princess who must find a successor with power to take care of all the creatures in need, complete with a knight in shining armor to ready to assist.


A major complaint of the movie arises quickly with what appears to be inappropriate comments directly regarding sexual orientation.  Some violence occurs with certain individuals being chased by monsters and even with women being knocked unconscious.  Further objections to this fairy tale include friends drinking beer and champagne, a bit of lying, and even a naked baby pixie, which may explain why many reviewers have been reluctant to rate or recommend its viewing, especially for children (Ramblings).


Although the genre may be considered as an adventure, this tale clearly fits the mold of a modern fairy tale.  The video version by Cinedigm Company is written by Heidi Ferrer directed by Mark Roseman, and produced by Craig Berenson and John Calvert, all considered effective in their respective fields.  The eighty-eight minute video stars Nora Zehetner and Kip Pardue.


Parents should be alerted that this live action movie contains numerous dark, scary sequences that could be upsetting or unsettling to the very young or to children who may have difficulty distinguishing between fantasy and reality.  With monsters and serpents throughout, along with even ghoulish humans, the suspenseful outcomes in the movie can be quite confusing, even to some older viewers.


The film not only involves a character who uses insults, such as, “How gay is that?”, but also contains lesbian delusions that lurk in the background creating an immediate dislike of the movie for some and certainly a misunderstanding by many young viewers (Review).  Fortunately, a “sweet” romance develops with a royal princess who does possess many of the typical princess characteristics, as she is kind, smart, beautiful, and brave.


The movie from start to finish is full of myths, danger, and adult versions of sexual insults.  Difficulty exists throughout to determine the true meaning of this tale as the fairy tale romance does shine through for young girls to see, and the “dragon killer” mystery lurks for young fans of adventure and action.  This combination does not exactly work, as none of the specific story elements is well executed.  Fairy tales, like other genres, still need a well-defined plot and must adhere to logic that can be followed.  Perhaps, the worst feature of this tale is that the hero never gets to demonstrate his “heroic” characteristics.  To add further to the problem, the beautiful princess is “ideal” in the beginning and is never allowed the opportunity to grow as viewers have come to appreciate in other fairy tales.  No point is ever really made with the mythical creatures, except for maybe some comic relief.


In the beginning, nothing actually prepares William for the sudden meeting of Ithaca, the beautiful princess, but he uses what is deemed as a cheesy pick up line, somehow convincing the Princess that he is someone she has desperately been seeking, “The Searcher,” leaving him unable to tell her later that he is not the one for whom she has been searching.


As William continues to hide the truth, he romantically pursues the princess and finds that she is indeed a real life magical princess, complete with exquisite gowns and bluebirds perched on her delicate shoulder.  In the end William discovers Ithaca is the “healer” of all of the ill and frightened mythical creatures of the world, including unicorns and mermaids, leaving viewers to wonder if the next generation’s “Healer” can be found in time and if the princess can find her true love.


This made for television movie will never replace Cinderella or Little Red Riding Hood, but for a onetime viewing, Princess might be tolerable for some children and a female adult looking to fill a dull night.  Most viewers will expect more from a modern day fairy tale, and clearly they may not keep this DVD in their forever library. Even though children may be confused from time to time in the movie, for a young girl especially, the movie revives the possibility of being a princess, and does have the storybook ending.  Even the actress, Nora Zehetner who played the role of the princess admitted that she had no idea how far to carry the role of a modern day princess (Ramblings).  A vague resemblance to Enchanted might be noted as Princess, too, is a love story between a mysterious princess and a common man and does mix the characters with a little mythology.  However, if a viewer is not interested in a second rate Enchanted, the remote should remain nearby. 

 

 

Works Cited


Princess: ABC Family’s Modern Fairy Tale. ABC  Family. 20 April 2008.

Ramblings of a TV Archives, Behind the Scenes, Commentary & Reviews 2003-2011. 1 May 20

            2017.

Review of a Modern Fairy Tale. Princess. 1 May 2017.